Torso, 2010 - 11 / haberdashery materials, wood (hatchets), textil / 325 x 85 x 25 cm
left: Abused billboard, 2010 - 11 /
haberdashery materials, textil /
93 x 120 x 34 cm
wright: Untitled, 2010 - 11 /
textil, wood, polystyren /
18 x 14 x 14 cm
Untitled, 2010 - 11 / haberdashery materials, wood (hatchets), glass, felt, needles, thread / 320 x 550 x 250 cm
left: Suspended, 2010 - 11 /
haberdashery materials, wood, leather /
268 x 117 x 20 cm
right: Suspenzor, 2010 - 11 /
haberdashery materials, felt, leather /
57 x 22 x 16 cm
Untitled, 2010 - 11 / haberdashery materials, wood, silk / 320 x 30 x 30 cm
Untitled, 2010 - 11 / haberdashery materials, felt, needles / 320 x 255 x 310 cm
Library, 2010-11 / haberdashery materials, felt, needles, plexiglass / 320 x 330 x 70 cm
Untitled, 2010 - 11 / haberdashery materials, felt, needles / 70 x 160 x 67 cm
from the series The Inside Outwards, 2006 / stretch underwear, balls / approx. 2,5 x 5 x 8 m
from the series The Inside Outwards, 2006 / stretch underwear, balls / 3 x 4 x 4 m
New Heroes, 2002 / installation - inflatable sculptures, foam rubber figures / various media
New Heroes, 2002 / installation - inflatable sculptures, foam rubber figures / mixed media
Love the Love Doll Jamie, 2002 / installation - inflatable dolls, clothes, combs / dimensions variable
Girls Triangle, 2002 / inflatable dolls / 1,5 x 2,5 x 0,8 m
Untitled, 2006 / inflatable dolls, black balls / 3,2 x 3 x 0,6 m
Hobbyraum / exhibition view from DAAD Gallery Berlin, 2000
Hobbyraum - exhibition view from DAAD Gallery Berlin, 2000
Mothers Care, 2000 / polyvinyl / 200 x 220 x 90 cm
Malibu Airways, 1998 / inflatable sculpture - various media / 2 x 10 x 12 m
Call,1999 / fabric, polyvinyl, ventilator / 400 x 450 x 120 cm
Untitled, 1995-1996 / wood, foam rubber, rubber, phosphorus, electro-installation
Call,1999 / fabric, polyvinyl, ventilator / 400 x 450 x 120 cm
View of Captain Nemo`s Room, 1997 / PVC, ventilator, polyvinyl sheet, air / 3 x 1,2 x 0,9 cm
Pale, 1996 / PVC, hair driers, bed, picture, television
ABOUT THE ARTIST
For several years Katerina Vincourova has been a conspicuous personality among the youngest generation of artists in this country. Her work always attracts the attention of the public, its magic addresses and fascinates them but it also seems as if she is able to evoke negative emotion and sometimes even disgust. The seemingly naive simplicity of Vincourova installations, in fact, provide an intensive testimony of the impossibility of open communication, of hopelessness, vulnerability and of the flight and general dehumanisation of modern society. Vincourova seems to have one general theme, namely the distinction between inter-persona relationships, solitude, love, marriage, leisure time, boredom and hope. Katerina Vincourova is able to formulate the sentiments of her generation with an effective language rid of intellectual dead weight.